Corporate Commissioning

“Corporate commissioning, patronage and sponsorships must not be seen as an intrusion or incursion to commissioned works or its meaning related to it. In its purest form, sponsorships should be viewed as a necessary facility in which without it, art in the public domain can never materialize. There are always limitations in commissioned works. Funding, space availability, objective, approval from authorities, the go-ahead still depends very much on the versatility of that entrusted artist to deliver a convincing proposal. And as long as it fulfills it expectations and works well within the timeframe and budget, it is set to materialize, the interpretation of its existence from then on will evolve through generations of debate, depending on the quality of its viewer, the social mood of that period be it tumultuous or serene done with mutual respect. That said, when viewing commissioned works, one should not be cynical or cling on to a miniscule viewpoint questioning the existence and it’s purpose or the influence the sponsors has infused onto the artwork itself thus demeaning the work of the artist. There always exist mutual understanding, agreement and a liking before works can be executed.”

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